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Editorial Ivan Foletti & Zuzana Frantová ? Exchanges and Interactions in a Time of PandemicArticlesGil Fishhof ? The Meanings of Byzantium. The Church of Abu-Ghosh (Emmaus) and the Meanings of Byzantine Pictorial Language in the Latin Kingdom of Jerusalem Armin F. Bergmeier ? Die Ausmalungen der Wiener Virgilkapelle. Die visuelle Kultur in Byzanz, im Kaukasus, in Syrien und Nordmesopotamien Nikolaos Vryzidis ? Between Three Worlds. The ?Veneto-Saracenic? Candleholder of Docheiariou MonasteryMzia Janjalia ? Cross-Cultural Features in Medieval Art. The Case of the Early Fourteenth-Century Wall Paintings at the Monastery of the Holy Cross in Jerusalem Matko Matija Maru?i? ? Painted Crosses and the Trajectories of Medieval Image Captions. Evidence from Thirteenth-Century Zadar and Beyond Ilaria Molteni & Irene Quadri ? Trame di storia. Il mosaico di Otranto, le cronache universali e l?immagine della regalità Vera-Simone Schulz ? Artistic Exchanges Across Afro-Eurasia. A Global Taste for Metal Artifacts from Mamluk Syria and Egypt in Italy, West Africa, and China in the Fourteenth and Fifteenth CenturiesChronicles & DebatesIvan Foletti & Adrien Palladino ? Roundtable. Medieval Art Today, Why? ReviewsMichele Bacci ? Mat Immerzeel, The Narrow Way to Heaven. Identity and Identities in the Art of Middle Eastern Christianity, Orientalia Lovaniensia Analecta 259, Leuven: Peeters 2017 Ivan Foletti ? Francesca Dell?Acqua, Iconophilia. Politics, Religion, Preaching, and the Use of Images in Rome, c. 680?880, London / New York: Routledge 2020 Adrien Palladino ? Armin F. Bergmeier, Visionserwartung. Visualisierung und Präsenzerfahrung des Göttlichen in der Spätantike, Wiesbaden: Reichert Verlag 2017